By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017A. Published by Musik Fabrik

Arranged and Edited from Music of the Sixteenth to Eighteenth Centuries. By George Frideric Handel; Giovanni D'antiquis; Giovanni G. Gastoldi; Jacques De Saint-Luc; Johann Pachelbel; William C White. Edited by Bertram Turetzky. Arranged by Bertram Turetzky. Text: Bertram Turetzky. String duet. For Double Bass I, Double Bass II. Performance score. 15 pages. Published by Theodore Presser Company.

Recorder (2) - Level 1-2

SKU: HF.FH-2055

Arranged by Wohlgemuth. Sheet music. Friedrich Hofmeister Musikverlag #FH 2055. Published by Friedrich Hofmeister Musikverlag (HF.FH-2055).

ISBN 9790203420552. 10.83 x 7.32 inches.

1. Jean Baptiste Lully, Menuett 2. Valentin Haussmann, Tanz - Nachtanz 3. Valentin Haussmann, Tanz - Nachtanz 4. Johann Hermann Schein, Allemande 5. Jacques de Saint-Luc, Bourree 6. Johann Adolf Hasse, Marsch 7. Georg Philipp Telemann, Gayment 8. Georg Philipp Telemann, Vite 9. Georg Philipp Telemann, Gayment 10. Georg Philipp Telemann, Allegrement 11. Georg Philipp Telemann, Vite 12. Georg Philipp Telemann, Vite 13. Johann Krieger, Menuett 14. Johann Krieger, Menuett 15. Georg Christoph Wagenseil, Menuett 16. Ferd.Tobias Richter, Menuett 17. Joh. Caspar Ferd. Fischer, Menuett 18. Johann Pachelbel, Fuga 19. Johann Pachelbel, Fuga 20. Georg Friedrich Handel, Fuga.

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

Flute and piano - Level 3

SKU: LM.26469

Composed by Robin de Smet. Classical. Score. Editions Henry Lemoine #26469. Published by Editions Henry Lemoine (LM.26469).

ISBN 9790230964692.

BEET HOVEN : Menuet - CAMPION : Jacques et Jean - FARNABY : Silence - PURCELL : Les Bergers, extrait du Roi Arthur - REINECKE : Rondo Pastoral - SAINT-LUC : Bourree - SCARLATTI : Aria - SCHUBERT : Ecossaise - TCHAIKOVSKY : Caprice Italien - ANONYME : A Paris - Ocelino - Passamezzo - Temp'rance Bells (arrangements de Robin de Smet).

Clarinet

SKU: BT.9781408105306

Composed by Jonathan Rutland. Abracadabra. Method. Book with CD. 64 pages. Collins Music Publishing #9781408105306. Published by Collins Music Publishing (BT.9781408105306).

ISBN 9781408105306. English.

The perfect book for pupil and teacher.

• Tunes you know and want to play.
• Technique carefully graded.
• Clear fingering diagrams.
• Concise theory explanations.
• New Duets.
• Fresh new look.

The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard

Compiled by Ron Middlebrook. For voice and guitar or banjo. Format: guitar/vocal songbook (no tablature - lyrics and chords only). With lyrics, chord names, guitar chord chart, banjo chord chart and illustrations. Folk. 108 pages. 6x9 inches. Published by Centerstream Publications.

The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard

By Music Sales. For Piano Solo. Popular, Classical. Sheet Music. 96 pages. Published by Chester Music. (CH64053) ISBN 9780825633935. Sit down at the Piano and chill out with some of the world's most soothing melodies. This new collection of cool classical pieces lets you play the cream of the clasical repertoire. Includes Barcarolle which featured in the film Lorenzo's Oil and is from The Tales Of Hoffmann and also The Ashokan Farewell which featured in the TV series The Civil War.

The Best Step=by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. Published by Hal Leonard

Piano/Keyboard

SKU: HL.381031

Composed by Various. Super Easy Songbook. Folk. Softcover. 96 pages. Published by Hal Leonard (HL.381031).

ISBN 9781705152423. UPC: 196288019435. 9.0x12.0x0.292 inches.

It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. The arrangements also include lyrics. This big edition includes 60 folk favorites: Auld Lang Syne * Aura Lee * Beautiful Dreamer * Buffalo Gals (Won't You Come Out Tonight?) * (Oh, My Darling) Clementine * Cockles and Mussels (Molly Malone) * Danny Boy * Deep River * For He's a Jolly Good Fellow * Frankie and Johnny * He's Got the Whole World in His Hands * My Bonnie Lies over the Ocean * My Wild Irish Rose * Nobody Knows the Trouble I've Seen * 'O Sole Mio * Sailing, Sailing * Scarborough Fair * She'll Be Comin' 'Round the Mountain * Simple Gifts * Skip to My Lou * Take Me Out to the Ball Game * Wayfaring Stranger * Wellerman * When Johnny Comes Marching Home * When the Saints Go Marching In * The Yellow Rose of Texas * and more.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

(The Most Famous Melodies of All Time Arranged for Easy Guitar). For Guitar. This edition: Easy Guitar TAB. Book; Guitar Mixed Folio; Guitar TAB; Solo Guitar TAB (EZ/Int). 288 pages. Published by Alfred Music Publishing

By Percy Buck. Arranged by Jean Gilbert. For Nursery rhymes for ages 3-5. Song Book. Miscellaneous. 80 pages

133 Songs from Around the World. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 128 pages

Woodwinds (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-30

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Set of parts. 50 pages. Duration 9'. Breitkopf and Haertel #OB 15155-30. Published by Breitkopf and Haertel (BR.OB-15155-30).

ISBN 9790004344989. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Violin and 1 other inst. (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.EB-11238

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Solo instruments; stapled. Edition Breitkopf.

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Piano reduction. 44 pages. Duration 9'. Breitkopf and Haertel #EB 11238. Published by Breitkopf and Haertel (BR.EB-11238).

ISBN 9790201812380. 9.5 x 12 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

(Over 120 Songs in the Key of C). By Various. Fake Book. Softcover. 152 pages. Published by Hal Leonard

Double bass (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-27

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Duration 9'. Breitkopf and Haertel #OB 15155-27. Published by Breitkopf and Haertel (BR.OB-15155-27).

ISBN 9790004344972. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Violoncello (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-23

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-23. Published by Breitkopf and Haertel (BR.OB-15155-23).

ISBN 9790004344965. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Violin 1 (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-15

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-15. Published by Breitkopf and Haertel (BR.OB-15155-15).

ISBN 9790004344934. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Viola (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-19

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-19. Published by Breitkopf and Haertel (BR.OB-15155-19).

ISBN 9790004344958. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.